Inside Van Neistat's New Handmade LA Studio
Published September 08, 2025 · 8:10 · 138,481 views
About This Video
Van Neistat built his LA studio inside a space measuring 50½ by 45 by 98 inches, every surface purpose-built for one-handed operation and shallow, visible storage. The 8-minute tour doubles as a manual for organizing a workspace that serves the work instead of displaying it.
The design philosophy runs through everything. Shallow shelves discourage stacking and allow one-handed operation. Van says it three times across the video because it governs every decision: the milk crates have holes drilled in them so he can carry them one-handed, the extension cords are custom-shortened from leftover power strip cords and mounted everywhere, the vintage toolbox was chosen because it holds exactly two reams of 8½ by 11-inch paper. Nothing is clever. Everything is specific to a task he does daily.
The workshop is Van's "procrastination space," his word, and he loves it. Charlie, now a designer at Apple, built the tabletop. The overhead shooting rig holds a camera with lenses that live on the shelf beside it. A C-Mount GoPro sits on the center console for quick shots. The destroyer lamps, Van's signature repurposed lighting, sit on plywood-topped milk crates. He lights just about everything with them. Chris Schwar painted the commissioned backdrops. Snap-on stickers go on the rolling tool chests "to feel rich," Van says, because he cannot afford actual Snap-on cabinets. There are 22 coat hooks total. He timed how long it took to cut each rack: 39 minutes and 29 seconds.
The recording studio doubles as a nap room. Van takes a nap there just about every day because, as he puts it, "believe it or not, this job gets stressful." If he were wealthy and free of cameras, he says, he would be a full-time brickalure, his term for someone who fixes or makes things from whatever is lying around. The video's best moment comes near the end, on the treasure wall, when Van recalls taking his son on an overnight train to El Paso for his birthday. They went to Wet N Wild. His son said being a lifeguard would be the best job because you'd get to go every day. Van told him, "Buddy, I have the best job. We're being paid to do this." The studio tour ends as a thank-you note.
What Van Uses: C-Mount GoPro adapter for console shots, overhead shooting rig with interchangeable lenses, destroyer lamps on plywood-topped milk crates, custom-shortened extension cords, vintage toolboxes, Snap-on-stickered rolling chests, 22 hand-cut coat hook racks, Chris Schwar commissioned painted backdrops, and a cooling fan Van and his son built from salvaged magnet-fishing junk.
Related: Van Neistat's Tool Kits, 10 Forbidden Practices in the Workshop, A Few of My Favorite Builds, and Van Neistat Breaks Down His Favorite Builds.
FAQ
How big is Van Neistat's studio?
The main workshop area measures 50½ by 45 by 98 inches. Van calls it small but says you do not need a big workshop if it is thorough and organized. The space includes a workshop, writing and editing station, recording studio, mail center, and treasure wall.
What are Van Neistat's destroyer lamps?
Repurposed industrial-style lamps built from 8-pound sledgehammer bases with 60-watt bulbs diffused by white garbage bags, sitting on plywood-topped plastic milk crates with drilled carry holes. He uses them to light nearly every shot in his studio and has a separate video on how to build one.
What does brickalure mean?
Van's term for someone who fixes or makes things from whatever materials are lying around. He says if he were wealthy and did not need to film, he would be a full-time brickalure. It is the design philosophy behind most of the studio's custom-built fixtures.
Transcript
If I was a rich man, no need for money, I would be a full-time brickalure,
no cameras, and my current workshop and 458 reflects fix this dream. You don't need a big workshop if it's thorough and organized.
Got to vacuum out these drawers for this shoot. Just about every tool I need in this 50 1/2x 45x
98 in space. This is my favorite part of the studio. It's my procrastination space. I love it.
Charlie did the tabletop. Charlie is a designer at Apple now.
[Music] Shallow shelves discourage stacking and allow onehanded operation. [Music] I'm finally solving the grip mat problem for my center console. A brickalure
fixes or makes stuff with whatever he finds lying around. The key to solving
the grip mat problem is this wooden shim that holds it in place. Glue don't work.
I keep the CMount GoPro on the center console so I can get shots like this.
[Music] For shots like this, I use the overhead shooting rig and this camera, which lives here with the lenses. The CMount GoPro lives on the treasure wall.
[Music] Magnet. Magnet. [Music] Slide the map. Slide the map. flat things that I make for the episodes. I keep in boxes like this. I also keep some supplies in these boxes.
All sorts of treasures in these boxes. This is my live stream setup. I light just about everything with these destroyer lamps.
The plywood on top keeps the plastic milk crate from sagging and the holes in it so I can carry them around
one-handed. Really big on one-handedness. I keep an extension cord in each milk crate. Make the extension cords from the leftovers of power strip cords that have been custom shortened and mounted all
over the place. You can never have too many extension cords or rubber bands.
mail center and office supplies. Vintage tool boxes cost a fortune, but this one holds two reams of 8 1/2 in x 11 in paper.
Dividing up this drawer took forever. I haven't gotten to the other one yet. I keep hard drives in this one. Smaller, but still cost a fortune.
This is my writing and editing station. My battle station, pens and papers and computer stuff. Not very interesting. My favorite detail is this cooling fan my
son and I made out of piece of salvaged junk he found magnet fishing.
I'm paranoid about SSD failure. This is the soundtrack to the video you're watching now. And thanks to our sponsor, Epidemic Sound, I get to tell
you about how I score these videos. To me, music is like the sauce of a video.
And with Epidemic Sound, I get about 50,000 sauces, tracks to choose from.
And these are professional tracks by real artists. And there's also 200,000 sound effects. I pick out the track
based on emotion. And I used a lot of happy in this video. Now, I don't know anything about how to make music, but
Epidemic Sound breaks tracks into stems, which are the tracks component parts, so
I can sculpt my scores to sound exactly right. So, I found a track with an ingredient that I wanted.
So, I took the instrument stem. There it was. And it worked perfectly.
[Music] Epidemic Sound is restrictionfree music. Straightforward licensing. Very fair. Click the link in the description for a free trial. Free trial don't get you the licensing, cheap skates. And thank you Epidemic Sound for sponsoring this episode.
Charging station. Charging station. Charging station. Charging station.
Charging station. Charging station. I commissioned Chris Schwar to make these backdrops. And I love them.
Library. Mini storage. I put the Snap-on stickers on these rolling chests to feel rich. I can't afford no Snap-ons.
Paint brushes. Road atlases. Tape. Paint. Snacks. Film making gear.
My son's arts and crafts and snacks gear. Oh no, battery died.
3929. I timed how long it took to cut these coat racks. And there's 22 coat hooks total in the studio. You can never have
too many. Bathroom, coffee station, mop, broom, dustpan, coat hook.
This is the recording studio where I do voiceovers and talking to the camera sometimes.
I take a nap in here just about every day. Believe it or not, this job gets stressful. If I was a wealthy man, I'd be a brickalure.
There's a guy outside the studio right now with a chainsaw and it's driving me bonkers.
The treasure wall [Music] I would want to keep it like this for my son's birthday last year. We took an overnight train to El Paso and went to Wet N Wild.
And he said to me, "Being a lifeguard would be the best job because you get to go to Wet N Wild every day." And I said
to him, "Buddy, I have the best job. We're being paid to do this.
And I got to say thank you sometimes. Thank you for this studio and thank you for this job. [Music] Join our Patreon team at $5 a month for exclusive access to archival videos with director's commentary and peer
discussions and live streams answering your questions and comments, plus Patreon exclusive limited edition zenes.
Products & Tools Mentioned
- GoPro (C-Mount) uses — camera mounted on C-mount adapter
- Snap-on mentions — stickers visible in studio
- Epidemic Sound mentions — sponsor
People Referenced
Charlie, Chris Schwar